ARCIMBOLDO MODERN

CLICK TO PLAY See the Fruitman come to life!


Back in the 16th century, Italian painter Giuseppe Arcimboldo created portraits of people, wonderfully weird as they were constructed of food, plants, animals, and household objects. Four hundred years later, in the 1980's, wine coolers came on the scene and were all the rage in the United States. It may seem that these two events, unrelated and centuries apart, have nothing in common; however, in 1988, I was commissioned to bring an Arcimboldo-inspired character to life for a California Cooler advertisement by a company called Limelight. Producer Prudence Fenton and director Stephen R. Johnson sent me on a mission - to construct a man made out of fruit and to animate him via stop-motion. A daunting task indeed!READ AND SEE MORE...

WALKING A DIFFERENT PATH

Click to play THE WANDERER!

Sometimes the right conditions occur to bring something extraordinary into being. This was the case with my avant-garde short film The Wanderer, a 1981 collaboration with the amazing athlete Mark Daniel. Both outliers, and driven toward unusual goals, Mark and I teamed up on a project that resulted in some remarkable cinematic achievements. The creation of our film, however, was the outcome of several years of previous efforts.READ AND SEE MORE...

HUMOROUS HUNTING TROPHIES

Click to play the MONTANA'S COOKHOUSE commercials!

The Canadian Restaurant chain Montana's Cookhouse once had an advertising campaign featuring an unusual comedy team: talking trophy heads of a moose and a deer. I was hired by the visual effects company, Beau Studio, to animate the character performance of these two taxidermic animals. The commercials were very popular and we ultimately made six of them from 2006 through 2009. This project was an aesthetic challenge because it was imperative that the characters be likable and charming; however, the very concept of two hunting trophies being alive and talking is in itself somewhat macabre!READ AND SEE MORE...

LUCID DREAM


A movie of the animation. Click to play!

I have been exploring the possibilities of creating a painting brought to life. With that goal in mind I produced an unusual fusion, LUCID DREAM, being both one of my latest experimental films and one of my earliest. The movie was given a painterly impressionistic look by digitally post processing an "animated dance" originally shot on Super 8 film circa 1980!READ AND SEE MORE...

EYE CANDY

Click to play the MOVING LIFE SAVERS commercial!

This unusual commercial, titled Moving Life Savers, featured hundreds of real Life Savers candies in action. In 1989, I was hired by Limelight, a now-defunct production company, to bring said candies to life via stop-motion animation. The project was a huge challenge, particularly because the desired result required maintaining control of a large number of candies while using the very limited "old-school" technology of the time.READ AND SEE MORE...

DYNAMATION'S LAST STAND

CLICK TO PLAY the Stone Giant animation sequence!

During the early Nineties, the animation and visual effects industries transformed rapidly from their traditional old-school techniques to the use of computer generated imagery. One of the lost arts was "Dynamation", invented by the late, great Ray Harryhausen. Once considered the best and most revered method for integrating creatures into live action movies, Dynamation is now long obsolete. Although this Harryhausen-created procedure was generally considered to be a magician's secret, a few other masters such as Jim Danforth, David Allen, Randall William Cook, Jim Aupperle, Phil Tippett, and Doug Beswick all knew and practiced the art. The procedure involves animating a realistic stop-motion puppet in front of a rear-projection of live action footage. Foreground elements are masked out on a glass sheet in front of the camera and then restored by backwinding the film and running a second pass. The result is the illusion that the animated character is in the scene and interacting with the actors in the movie.

While employed by Full Moon Entertainment in 1994-1995, I was fortunate enough to have the opportunity to animate using the Dynamation technique on five separate movies. One of these productions, Magic Island, had the distinction of being the last feature film released which utilized Harryhausen's legacy process!READ AND SEE MORE...