Feature film productions traditionally hire a "Unit Still Photographer" whose job it is to shoot images for use in the promotion of a movie. Unintentionally and in a very different manner from the norm, I became the primary still photographer for The Nightmare Before Christmas. I was hired to be a character animator for the project; however, I just happened to be an avid 3-D stereo photographer who loved to capture amazing stop-motion setups in 3-D for my private collection. At the point when the movie was nearing completion, Disney publicity decided that they needed some compelling photos to promote the film and, incredibly, no one had been officially assigned to shoot the stills! Their only hope was to make an appeal to the crew for their personal pictures of the production. Surprisingly, they determined my stills were exactly what they needed. The publicity department had no interest in the 3-D aspect; however, the photos worked equally well in standard 2-D format. We reached an agreement and my pictures were used in the big pre-release promotional push of the film in 1993. I have to admit that it was highly gratifying to see so many of my photos published in several major magazines and newspapers as part of The Nightmare Before Christmas marketing strategy.