The complete commercial, bookended with my animation of the Doughboy.
Since his debut in the mid sixties, the Pillsbury Doughboy was brought to life via stop-motion animation, but that era came to an end in 1992 when it was decided to switch to CGI. It was my pleasure to animate the Doughboy for his final stop-motion commercial campaign at Apogee Inc. for the Leo Burnett advertising agency. A couple commercials were created simultaneously under the direction of effects legend John Dykstra, and I was chosen to animate one of them with a Christmas theme. The budget for the project was clearly high since they offered me more than my normal pay rate, but of course expected the highest quality animation possible in return. I was given a luxurious amount of time to do tests and experiment with the character performance, which was far from the norm of a typical stop-motion shoot.